Lead to New Directions for My Blogs and a Mystical Morning Commute!
The other morning while meditating my mind turned toward my blog and I thought of my blog in relationship to my body mind and spirit. Much of what I try to do during the day is directed at one of those three aspects of life. Whether it’s trying to enrich and keep my mind sharp by reading, exercising and eating right to help my body and meditating and listening to New Age music to lift my spirit, the actions I take revolve around these aspects of life. Anyway what I am going to try for a while is to keep this blog oriented toward the rejuvenation, and revitalization of my mind, body and spirit,
As part of this shift, the music discussions on this site will be mostly about New Age music and maybe some jazz. But knowing that my musical explorations of other genres including Americana, blues and progressive rock won’t stop, I will be discussing those explorations at FreeWheelin’ Music Safari!
Now with the above thoughts swirling around in my head I visited some new sites like MindBodyGreen and BodyMindSpirit Guide both of which I believe I will be visiting more often in the future. I also visited a site that I have visited often in the past Tiny Buddha. While I was at Tiny Buddha the following post caught my eye……..
30 Simple Mindfulness Practices to Help You Focus and Be Present
I thought the article presented some good practices to help become more mindful. As a result of reading this post I decided that this morning I would do two things. First, I was going to listen to some New Age music on my way to work and secondly, I was going to try to be more aware of my surroundings. So as I was driving, I was attempting to view things as if it was the first time I saw them, rather than the six hundredth million time!! I must say that it made for a pretty interesting trip and I don’t think it’s too bad around here!!
The music that I listened to was the album, Mystical Morning by German composer and keyboardist Uwe Gronau. I have had this album in my music rotation since its release back in October of 2015 and I like it more and more every time I listen to it! Here is a little background about Uwe from his biography at his website…….
Gronau was born and raised in the Rhineland in northwest Germany, and grew up in Dusseldorf and Bocholt (where he currently resides) which is only a couple of miles from the Dutch border. “In the ‘70s and ‘80s the Netherlands were more involved in the evolution of jazz, pop, rock and soul than Germany, so I profited from this situation and heard much great music.” Uwe began playing piano at age six and grew up immersed in music as the son of a choir-leader, orchestra-conductor, music-school teacher and piano instructor.In his early years Uwe studied classical music, but soon became passionate about jazz and rock artists such as Brian Auger, Keith Emerson, Patrick Moraz and Refugee, and Joe Zawinul and Weather Report. As Gronau got older, his musical tastes expanded to include Supertramp, Jethro Tull, Gilbert ‘O Sullivan, Keith Jarrett, Sting, Peter Gabriel and Dream Theater. When Uwe was 14 he began to play in a series of bands and built a reputation in the area for his musicianship and professionalism. One thing that always set Gronau apart from many other musicians is that from the beginning and continuing to today, Gronau has always played original material and has never covered compositions by others. In college, Gronau majored in music, German and theater-science. Read More
This German keyboardist explores all that and more on his Mystical Morning album which he says is “positive, celebratory music that is like sunshine pouring onto a new day.” He specially has a ball playing his Hammond B-3 organ, most noteworthy on his tribute to Keith Emerson of Emerson, Lake & Palmer (“Letter to Emerson”), a fast-paced piece bubbling with energy. That organ shows up several other places including the most prog-rock tune, “Over the Bridge,” which has a full-bodied arrangement featuring lots of varied sounds including synth, acoustic guitar and horns. These pieces are balanced with some softer piano-dominated numbers including two versions of the piano and acoustic-guitar “Shy” (one with drums and one without). In fact about half of the 15 tunes are rocking (with drums or forceful percussion) and the other half are fairly soft which keeps it interesting. Gronau has always been known for making music that keeps the listener guessing and fascinated as to where he will head next. He somehow captures the spirit of the great rock albums of the Seventies and Eighties, but with modern sound exploration that is fresh and invigorating. Read Full Review
