Organ Archives - Renaissance Granddad

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A Morning with Hammond Heroes leads the Safari to “Bag of Jewels” from Lou Donaldson!

So this morning started with a cold walk to my office. I left the car at the office yesterday and walked home during the snowstorm! While that may have been a good idea yesterday, it didn’t seem that good this morning, when I faced a ten minute walk to work with single digit wind chill temperatures. But like I always say when I struggle through a run “At least the music was good!” The music came from an album released back in November titled Hammond Heroes. The album somehow got accidentally downloaded on to the iPhone a while ago and I didn’t delete it because of the title! Well am I glad I didn’t, because it’s got some great tracks on it. It’s has tracks on it from guys like Jimmy and Dr Lonnie Smith, Larry Young, and Jimmy McGriff where they are the top dog and then it has tracks where the organist is a member of the band or trio, pairing with folks like Pat Metheny. John Scofield, Lou Donaldson and Pat Martino. I was constantly looking at the tracks as great ones kept coming on, to see who was playing this time. Well, one of the tracks I liked right away was “Bag of Jewels” from Lou Donaldson. Donaldson is one of those oh, too many jazz artists whose name I know but not their music. the other track that caught my attention was “Oleo” from Pat Martino. Pat was another artist like Lou, and after listening…

A Night of Jazz starts with Walter Smith III and ends with Larry Goldings and I have a lot to listen to!!!

So last night I visit MOG and jumped around checking out jazz musicians, it started with Walter Smith III Live in Paris which led to bassist Hans Glawischnig led to Antonio Sanchez, who actually appears in my library as he is part of Gary Burton’s Quartet and appears on his album Quartet Live. Antonio in turn led to Ari Hoenig.…Reading Hoenig’s biography at Wikipedia I saw that….. Since 2005 Ari has appeared with many of jazz’s finest up & coming guitarists such as Jonathan Kreisberg who’s a member of Ari’s Punk Bop Band and Israeli transplant Gilad Hekselman A trip to Gilad Hekselman revealed that . “While Hekselman sees this group (which features bassist Joe Martin and drummer Ari Hoenig) as a co-op, he is the first among equals and shows that he clearly has a potentially significant future” So I gave the album Splitlife a listen and enjoyed it and then moved on to Jonathan Kreisberg and his album Night Songs which features Gary Versace, Matt Penman and Mark Ferber. When I read this I went Gary Versace’s page where I read in the AllMusic Guide review that….. Gary Versace is one organist who plays music far beyond soul-jazz, moving into a realm of progressive sounds that approach the visionary Larry Young and rival peer Larry Goldings. With saxophonist Donny McCaslin and electric guitarist Adam Rogers, Versace is able to buoy their melodies with a visceral yet vibrant underpinning. He is fond of rhythms removed from 4/4, and the complex moods displayed during “Dangerous Land”…

Today in Music – 1940 – Jazz Organist Larry Young was born!

On this day in 1940 jazz organist Larry Young was born. I was unfamiliar with Young’s music until recently. That may have been a result of his early passing. Young died in 1978, after entering the hospital with stomach pains, he died from untreated pneumonia However, after reading some of the information below I did hear his music back in the day, when he played on Miles Davis’ Bitches Brew and also playing in Tony Williams’ Lifetime . From Wikipedia: Larry Young (also known as Khalid Yasin (Abdul Aziz) (October 7, 1940 in Newark, New Jersey—March 30, 1978 in New York City) was an American jazz organist and occasional pianist. Young pioneered a modal approach to the Hammond B-3 (in contrast to Jimmy Smith’s soul-jazz style). However, he did play soul-jazz also, among other styles. Read More After reading about Young at Wikipedia, I reviewed his biography at AllMusic where I read: If Jimmy Smith was “the Charlie Parker of the organ,” Larry Young was its John Coltrane. One of the great innovators of the mid- to late ’60s, Young fashioned a distinctive modal approach to the Hammond B-3 at a time when Smith’s earthy, blues-drenched soul-jazz style was the instrument’s dominant voice. Initially, Young was very much a Smith admirer himself. After playing with various R&B bands in the 1950s and being featured as a sideman with tenor saxman Jimmy Forrest in 1960, Young debuted as a leader that year with Testifying, which, like his subsequent soul-jazz efforts for Prestige, Young Blues (1960), and Groove Street, (1962), left no doubt that Smith was his primary inspiration. and then back to Wikipedia to fill in the post 1964 years…… When Young went to Blue Note in 1964, his music began to show the marked…