I really started to explore jazz more in 2014. Prior to that time I had a few favorites I listened to regularly. Those artists included mostly Wes Montgomery and Jimmy Smith and occasionally Freddie Hubbard and McCoy TYner. When I set out to expand my jazz listening I would review both the Jazz Charts at both the Roots Music Report and JazzWeek. Additionally, I would review the Jazz Birthday Page at All About Jazz.
Ok so since September of last year my wife and I have spent most of our days babysitting our 4th grandchild, Emma. We’re at my daughter’s house from 7 am until roughly 5 pm. The result is I don;t have a lot of time to blog and/or listen to music. But I’ve been trying to listen when I am out and about on the weekends and at night. Lately, the two blues albums that have been in my music rotation are the latest releases from two of my favorites. First came Albert Cummings latest releases Strong. Then came Mike Zito’s Life is Hard .
The first political thing I learned came via the book Tyranny of the Minority by Steven Livitsky and Daniel Ziblatt.. I just finished the book.a few days ago. It’s really a terrific read. It’s a book anyone who’s concerned about the future of our country should read. I’ll write more about it later,
However, now I just want to discuss what counting slaves as 3/5 of a person really accomplished for the southern states. It’s the first time anyone really explained the effect of that action to me!
The counting of slaves as 3/5 of a person meant that for every 5 slaves a plantain owner had they counted as three people for representation in the House of Representatives. As a result even though New York had a larger white population than Virginia, when you added the slave population in Virginia to their total they received a larger number of representatives! Overall the net effect is that the southern states representation was 25% greater than the more populated Northern states.
So once again Southern states benefited from owning slaves, while the slaves suffered! And yes Southerners should feel guilt about that!
The Alabama Song (Whiskey Bar) by the Doors Came From Where?The musical thing I learned was the origin of The Doors song “Alabama Song”.
I wasn’t a big Doors fan back in the day. However, I have heard “Alabama Song” countless times on the radio.Additionally, the song is on their Absolutely Live album . I didn’t know it was on their debut album The Doors, until I bought the album at Goodwill last year. It’s side.1 track 5, if you care.
Anyway last night, when I was writing The Folk Revival post,I discovered that Dave Van Ronk and the Chad Mitchell Trio had covered the song. And did so well before The Doors debut album!
Later I found out more about the “Alabama Song” at Wikipedia….
The “Alabama Song”—also known as “Moon of Alabama”, “Moon over Alabama”, and “Whisky Bar”—is an English version of a song written by Bertolt Brecht and translated from German by his close collaborator Elisabeth Hauptmann in 1925 and set to music by Kurt Weill for the 1927 play Little Mahagonny. It was reused for the 1930 opera Rise and Fall of the City of Mahagonny……More at Wikipedia
